Sports Philosophy And Recreation Anabolic Steroids

Sports Philosophy and Recreation Are Anabolic Steroids Important Of Body Building? I will argue no that anabolic steroids are not important for body building because they have great negative effects. The use of anabolic steroids has been discouraged over the years because of their side effects, and they are against the philosophy of sports. The steroids are medicine and protein supplements that aid in the body building. I hugely oppose the notion that anabolic steroid are imperative in building the body. The studies clearly reveal that the side’s effects (demerits) of the anabolic steroid outweigh the benefits (merits). The essay will debate about the topic mentioned over. The essay will discuss the demerits and merits of anabolic†¦show more content†¦Thus, using anabolic steroids gives them the power to edge others in the competition. Most athletes who use anabolic steroid grow faster and develop better. The anabolic steroids help in building their body. People look at these people as their role model because of their prowess in sports such as wrestling and athletes. The athletes are using unacceptable supplements that are prohibited steroids to increase their public image. The athletes and wrestlers enjoy commercial advertisement. Morally, it is wrong to use these steroids to influence and accumulate wealth through unfair methods. However, the demerits outweigh the merits of the anabolic steroids. Thus, I stand to oppose the notion that anabolic steroids are important for body building. The anabolic steroids help in building the body by alternating and changing the Basal Metabolic Rate of the person by increasing it. The body muscles grow because of the anabolic steroid, but it impedes the growth rate of a person holistically. I oppose the use anabolic steroid for body building because they are alternating behavioral traits of an athlete or wrestler. The person who uses the steroids tends to have unusual behaviors like excessive anger and agitation. The athletes and wrestlers are physical aggressive because of the influence steroids. They have bigger and stronger physic than other people thus they bully

Marijuana as a Subculture Essay - 1357 Words

A subculture is a group of people who share a distinctive set of cultural beliefs and behaviors that differ in some significant way from that of larger society. Marijuana smokers can be considered a subculture for many reasons. Marijuana is used by millions of people around the world, either for recreational, spiritual, or therapeutic reasons. Some call themselves the cannabis connoisseurs; people who respect cannabis and use it responsibly. Few drugs have been so politicized recently as marijuana has. It is frequently praised by one side and condemned by the other, on the basis of emotional issues rather than an objective view of research. It was 1920 when smoking began to catch on in the United States. Its recreational use was†¦show more content†¦On every marijuana related website I visited I found there was a glossary. All of them were very similar. Some examples of different words contained in the glossary follow. The words high, stoned, blazed, and wasted are all defined as being under the influence of marijuana. Blades, skins, papers, and blunts are all synonyms for the paper used to roll marijuana. Joints and blunts are used to described as rolled marijuana, like a cigarette. The inhalation of marijuana smoke is called taking a hit, drag, or toke. A bong or bowl is used to smoke marijuana. There are hundreds of different names for marijuana, some of the most popular are: pot, reefer, weed, bud, chronic, ganja, green, grass, mary jane, and herb. They also have some symbols that represent things. A very popular one is the marijuana leaf. It can be seen a lot of places such as a bumper sticker or in graffi ti. 420 is another common one, it is the number used to represent marijuana or the smoking of it. The best explanation of this is it’s the California police code for possession of marijuana. Their subculture has a number of beliefs that differ from mainstream society as well. One belief is that marijuana use is increasing rapidly globally and The War on Drugs is a failure. This is one of their strongest beliefs. They are very correct about both points. The unsuccessful War on Drugs is very costly, andShow MoreRelatedMarijuana Subculture1712 Words   |  7 PagesSubculture: Marijuana in the United States Fatima Alikhan ENG 122 Professor Kenneth Newton Monday May 23, 2010 The United States has an approved list of drugs that are considered legal and illegal that create adverse side effects and hold diverse political views. Marijuana is a substance that popular media holds in a negative undertone while other drugs such as valium and alcohol are supported, if not glorified. Popular media is a powerful tool that gathers a mass of peopleRead MoreMarijuana as a Subculture Essay1356 Words   |  6 PagesA subculture is a group of people who share a distinctive set of cultural beliefs and behaviors that differ in some significant way from that of larger society. Marijuana smokers can be considered a subculture for many reasons. Marijuana is used by millions of people around the world, either for recreational, spiritual, or therapeutic reasons. Some call themselves the cannabis connoisseurs; people who respect cannabis and use it responsibly. Few drugs have been so politicized recently as marijuanaRead MoreDrug Abuse Among Teenagers And Young Adults11 14 Words   |  5 Pagesactivities. First we should define our terms and limits of discussion. â€Å"Drugs† here means not only substances that are illegal in themselves like marijuana and cocaine, but misused prescription medications as well as household substances not meant to be used as drugs such as glue and nutmeg. Doctors can actually sometimes prescribe drugs like cocaine, marijuana, and steroids for medical purposes but which are more often used illegally and harmfully. We are not going to consider alcohol even though perhapsRead MoreOutsiders By Howard S. Becker1619 Words   |  7 Pagessees the said judger as an outsider himself. Because the â€Å"outsiders† or said rule breakers can see the people not breaking the social norms as outsiders too, it sets up a subculture or a deviant society, where there is mutuality in non-conformity. On page one-hundred and forty-one a statistic of the number of articles on marijuana indexed in both Reader’s Guide and Periodical Literature is shown and explained. From July 1937 to June 1939, there was a record high on articles mostly helping out theRead MoreShould Marijuana Be Legal?1356 Words   |  6 Pages Marijuana has been used as a medicine for millennia by cultures spanning the globe. Ever since 1937, that medical necessity has fallen in America to political pressure, and the cannabis plant remains illegal regardless of intended use. 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This drug became somewhat of a political tool to twist and turn making sure the general public’s ignorance stayed unabated, during a whole country against a subculture with no realRead MoreThe Greatful Dead Essay840 Words   |  4 PagesThe Greatful Dead A simple definition of a sub-culture is a group of people who have norms, values, and beliefs that are distinct from those of the main stream culture. A subculture is a group of people who have a distinct way of life. Dead heads fit into this category. They believe that there are many interpretations of reality, and that everyones interpretations are somewhat valid, but none of them are real. There are two reasons why this sub-culture has continued to exist for as longRead MoreLegalizing Marijuana in America978 Words   |  4 PagesLegalizing marijuana in America Illegal drug use is a huge part of American culture and one the most controversial of those drugs is marijuana; its technical name is Cannabis Sativa. But whether you call it cannabis, marijuana, pot, reefer, weed, bud, herb, Mary Jane, hemp, grass or wacky tabacci, it is still illegal in the United States. Actually, all over the world the deliberation rages about the harm or benefits that marijuana has to offer. Attempts to legalize it in the United StatesRead MoreJuvenile Delinquency, A And Violent Criminal Activities1530 Words   |  7 Pagesindustrialized nations that tend to have large cities. Delinquency is also associated with the youth subculture mainly focusing on non violent activities, but as noted subcultures can also turn into countercultures which are people who reject communities values and rules and change them with others that counter the larger cultures. As I proceed on this analytical essay, I will examine two aspects of youth subculture that constitute juve nile countercultures and sometimes promote serious and violent criminalRead More The Cultural and Sub Cultural Influence of Narcotics Anonymous845 Words   |  4 PagesThe Cultural And Sub Cultural Influence of Narcotics Anonymous. The Subculture of N.A is a life outside of any expectations formed by the main Cultural Influence. It is a very private organization that I belong to which became a way of life for me. It has values, traditions, beliefs, sanctions and roles. This is the only outside influence in my life that made me develop meaning to my life again. I was a complete and total crack addict who finally hit the bottom of the barrel and started looking

Brazilian Hip Hop Culture Essay Example For Students

Brazilian Hip Hop Culture Essay After finishing this book by Derek Pardue, it would be an understatement to call his work an interesting and insightful look into the world of Brazilian hip-hop culture. With the city of Sao Paulo at the forefront of discussion, the book is based on over five years of fieldwork by Pardue and highlights topics of race, class, and territory to make the overall argument that Brazilian hip hoppers are subjects rather than objects of history and everyday life. Brazilian hip hop is considered a national music genre in the Latin American country that has over time grown into a nationwide phenomenon since its earliest days in the African-Brazilian communities of Sao Paulo and Rio de Janeiro in the 1980s. Initially, Brazilian hip hop was created as an assertion of the African-Brazilian identity. According to the 2010 census, over 14. 5 million African descendants call Brazil home, which makes up about 8% of Brazil’s overall population. As the genre gradually emerged, its themes widened to encompass a range of social and political issues. Pardue uses this book to identify and analyze three critical categories of Brazilian hip hop culture: space, race, and gender. Additionally, he looks at hip hoppers attempt to redesign the social categories of race, class, and gender as well as socio-geographical categories like periferia and marginality. Along with Pardue’s established argument, this essay will seek to argue that there is a positive relationship between listening to hip hop music and a racial consciousness among younger generations of Afro-Brazilians. In the second chapter of the book, Assembling Brazilian Hip Hop Histories, Pardue focuses on the importance of the access to informacao (information) among the marginalized youth in Brazil: â€Å"According to Sao Paulo DJs, music producers, rappers, and pop music critics, ‘to be informed’ is a valuable asset that speaks to culture, business, history, and ideology. The term ‘informacao’ penetrated almost every conversation I had with hip hoppers. Brazilian hip hoppers are always in search of more. It makes sense that this constant search for information among hip hoppers was considered so crucial. It is the direct link between information and identity that made Afro-Brazilians so thirsty for it. However, as Pardue points out, the identity of the periferia normally brought up negative attributes like the clear lack of true citizenship. It was these cultural markers and countless instances of racism, classism, and sexism that drove the Brazilian hip hop movement to the forefront in an attempt to completely reconstruct their misguided identity. Additionally, it is important to note that since the early 2000s, internet technologies have become more accessible to periferia dwellers, allowing for easier information trafficking. While the accumulation of information is a crucial step towards Afro-Brazilian consciousness, it’s truly only the beginning of this process. After information has been gathered, hip hoppers use the term ‘attitude’ to assess themselves. It is believed that when an individual grows a stronger attitude and becomes more conscious, respect is to follow and they will only then be regarded as a â€Å"real† hip hopper. Although the many facets of Brazilian hip hop culture (rapping, dancing, etc. ) are heavily reliant of competitiveness, the necessity for collaboration and unity overrides the individual in the grand scheme. This is yet another way that hip hoppers attempt to talk about consciousness: â€Å"(Consciousness) is to acknowledge that each individual is but one person within a larger collective and that for change to occur, it must be a group effort According to most hip hoppers, to contribute requires an ‘attitude’, a delicate process of balancing self-esteem and confidence. † This search for a collective effort was the driving force for the creation of hundreds of urban youth posses and hip hop groups. From artists like Thaide, and DJ Hum to groups like Racionais MCs, they all got behind the movement towards an Afro-Brazilian unity. These groups were important for their role in the community, but also as a vehicle for the individual to feel connected and involved in a cause. Each member of these hip hop groups had a particular skill to contribute to the group, a correlation that can be made to their overlying roles in the social movement. .u1a5aa44883351834e85b1d6d065a1083 , .u1a5aa44883351834e85b1d6d065a1083 .postImageUrl , .u1a5aa44883351834e85b1d6d065a1083 .centered-text-area { min-height: 80px; position: relative; } .u1a5aa44883351834e85b1d6d065a1083 , .u1a5aa44883351834e85b1d6d065a1083:hover , .u1a5aa44883351834e85b1d6d065a1083:visited , .u1a5aa44883351834e85b1d6d065a1083:active { border:0!important; } .u1a5aa44883351834e85b1d6d065a1083 .clearfix:after { content: ""; display: table; clear: both; } .u1a5aa44883351834e85b1d6d065a1083 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u1a5aa44883351834e85b1d6d065a1083:active , .u1a5aa44883351834e85b1d6d065a1083:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u1a5aa44883351834e85b1d6d065a1083 .centered-text-area { width: 100%; position: relative ; } .u1a5aa44883351834e85b1d6d065a1083 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u1a5aa44883351834e85b1d6d065a1083 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u1a5aa44883351834e85b1d6d065a1083 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u1a5aa44883351834e85b1d6d065a1083:hover .ctaButton { background-color: #34495E!important; } .u1a5aa44883351834e85b1d6d065a1083 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u1a5aa44883351834e85b1d6d065a1083 .u1a5aa44883351834e85b1d6d065a1083-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u1a5aa44883351834e85b1d6d065a1083:after { content: ""; display: block; clear: both; } READ: Music in the Biography of an Ex-Colored man EssayAlong with Pardue’s argument that Brazilian hip-hoppers have turned themselves from objects of history into subjects of history, it can similarly be argued that there is a positive relationship between listening to hip hop music and a racial consciousness among younger generations of Afro-Brazilians. First, hip hoppers in Sao Paulo are considered active organizers and negotiators whether it be with state government or the general public. They’re most successful in engagement and gaining support by linking their hip hop practices to the themes of education and citizenship. Hip-hoppers view themselves as social agents who urge the public to be more comprehensive about what constitutes knowledge and a legitimate perspectives on their reality. With their constant hunger for more information, hip hoppers have become increasingly persuasive in presenting their music as educational because they reach large populations of urban youth that previously were completely isolated from public education. It is for these reasons that hip hop has a positive relationship with Afro-Brazilian urban youth. Hip-hop represents a recognized form of education that signi? s activism on the part of the Brazilian working classes. Therefore, hip-hoppers’ articulation to education holds both the key to positive identity formation and achievement. â€Å"Hip hop has always been about achieved, not ascribed, power. Unlike the bourgeoisie, the working classes, which represent the population pool and main point of address for Brazilian hip hoppers, depend on change in order to shape the essential discourses of hierarchy. † Overall, the Brazilian hip hop movement is something that continues to live on through to the young generations of today. The desire for information, attitude, and consciousness among hip hoppers and urban youth alike has propelled the Afro-Brazilian community from objects of history to the subjects of it. It is through these key concepts and a push for unity that the movement was so successful in educating the urban youth, who have otherwise been excluded from formal public education. It is because of this successful education that a positive relationship between listening to hip hop music and a racial consciousness among younger generations of Afro-Brazilians can be made.

The Merchants Tale Essay Example

The Merchants Tale Paper The use of the word ‘but’ in line 843 is the first signal to the audience that there is going to be a significant change within Januarie’s fortune. Up until this point he has been considerably lucky; he is described as a ‘worthy knight’ who has ‘lived in greet prosperitee’ and has been married to ‘fresshe may, his paradys, his make’. Through this excessive amount of fortune, Chaucer has led the audience to believe it is too good to be true, and so the change is almost inevitable. Januarie’s fortune is represented by the image of ‘the scorpion’, which smiles with its face while stinging with its ‘sweete venym queynte’, just as Januarie is deceived into believing he has found stable happiness when he suddenly goes blind. When Januarie becomes physically blind, this becomes a fulfilment of the metaphorical blindness of self-delusion which has afflicted him from the outset. On line 386, the audience are reminded of the proverb ‘love is blind’, and Januarie’s character has been built up to this point as a demonstration of the truth of this saying. At this point in the tale, we have only recently heard May’s voice for the first time, (like 770) but we are yet to know much about May’s personality from anyone other than Januarie’s perspective. However, the females already mentioned in the tale, such as Abigail, the wife of Nabal and Rebecca, the mother of Jacob all gained their own fortune and power through the use of deception and trickery, inclining the audience to believe that May is going to use similar techniques. We will write a custom essay sample on The Merchants Tale specifically for you for only $16.38 $13.9/page Order now We will write a custom essay sample on The Merchants Tale specifically for you FOR ONLY $16.38 $13.9/page Hire Writer We will write a custom essay sample on The Merchants Tale specifically for you FOR ONLY $16.38 $13.9/page Hire Writer It soon becomes apparent that this deception is at the hands of Januarie, ‘for as good is blind deceyved be / As to be deceyved whan a man may se’. The fact that he is being deceived because of both his physical and mental blindness makes Januarie appear vulnerable, and the audience almost begins to pity him, showing that the power balance has shifted abruptly from Januarie to May. The language Chaucer chooses to use contributes to demonstrating this power balance effectively. Fortune is personified in this passage, as is common in Chaucer’s writing. Like a number of abstract qualities which have the female grammatical gender in Latin, the personification is feminised, and she is presented as a woman, often blindfolded, to demonstrate the arbitrariness of her operation, an holding a wheel on which her victims rise and fall. When comparing this image to May, it is clear that she now has full power and control over Januarie. It is not only clear how May has gained power over this passage, but also how Januarie has lost his. He becomes so possessed by jealousy that He nolde suffre hire for to ride or go/ But if that he hadde hond on her alway’ , ‘nor anywhere/ Would he allow his wife to take the air/ Unless his hand were on her, day and night’. Towards the beginning of the tale, it is unlikely that Januarie would have been so possessive over his new wife, as he had enough confidence within himself to prevent any jealousy. When he loses his sight, it is apparent that his self-consciousness becomes particularly strong, once again making him seem vulnerable and helpless, and May’s dishonesty only increases Januarie’s lack of power